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            ANTENNAE

            THE JOURNAL OF NATURE

            IN VISUAL CULTURE

            SUNSET 47 masthead 5.5.19 copy Screenshot 2019-12-02 at 23.54.02

            Antennae: The Journal of Nature in Visual Culture

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            Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

            Antennae: The Journal of Nature in Visual Culture

            Antennae: The Journal of Nature in Visual Culture

            Antennae: The Journal of Nature in Visual Culture

            Antennae: The Journal of Nature in Visual Culture

            Antennae Issue 29 87 Antennae Issue 29 86 Antennae Issue 29 85

            Antennae: The Journal of Nature in Visual Culture

            Antennae: The Journal of Nature in Visual Culture

            Antennae: The Journal of Nature in Visual Culture

            Antennae: The Journal of Nature in Visual Culture

            Antennae: The Journal of Nature in Visual Culture

            Antennae: The Journal of Nature in Visual Culture

            This issue of Antennae and the next are part of a project informed by the exhibition Making Nature: How We See Animals curated by Honor Beddard at Wellcome Collection (London) in 2016-17. This first installment, Making Nature, looks at the construction of nature as a cultural pursuit during the nineteenth and twentieth centuries. It focuses on issues of visibility and invisibility, both cultural and ecological, to critically appraise the methodological approaches that have defined the philosophies of the discipline. Technologies of visibility like taxidermy, dioramas, macro-photography, and illustration are here juxtaposed to highlight the complicity of art and science in the production of fictional narratives about the world we live in. This outlook should however not be misinterpreted as an attempt to diminish the epistemic importance of natural history but as an invitation to reach further deep into the discipline’s productive core and to devise new natural histories for the twenty-first century. It is in this context that the next installment, also co-edited

            2017-12-02 09.40.16

            DOUGFOG GIOVANNIALOI GRAHAMHARMAN CAROLINEPICARD  

            LYNNTURNER

            RONBROGLIO KATHYHIGH JESSICAULLRICH

            HENRIKH?KANSSON ANDREWYANG ERWINDRIESSENS

            MARIAVERSTAPPEN

            KENRINALDO MUSTAFASABBAGH CECILIANOVERO DOROTHYCROSS

            ANGELASINGER

             

             

            CAROL J ADAMS

            SUZANNE ANKER

            JONATHAN BIRTH

            DOROTHY CROSS

            CARSTON HOLLAR

            GARY HUME

            OLEG KULIG

            ROSEMARYTROCCO

            PAULINE OLIVERO

            PETER SINGER

            LOISWAINTERBER

            CARY WOLFE

             

             

             

            Abbas Akhavan |Giovanni Aloi

            Bergit Arends | Marc Beattie

            Honor Beddard | Emily Eastgate Brink  

            Aaron Delehanty | Mario A. Di Gregorio  

            Mark Dion | Maria P. Gindhart

            Isabella Kirkland | Maria Lux  | Lorraine Simms Regan Shrumm | Tamsen Young

            Doug Young

             

             

            AND MANY MORE

            ANTENNAE

            42 cover

            THE JOURNAL OF NATURE

            IN VISUAL CULTURE

            ISSUE 49 — AUTUMN 2019

            making nature

                    with Honor Beddard, titled Re-making Nature will more closely focus on the work of contemporary artists whose practice entails revealing the constructedness of nature as a concept to map and untangle important nevralgic and yet under scrutinized junctions in our coevolutional histories with the rest of the natural world.

             

             

            IN THIS ISSUE

            Dr. GIOVANNI ALOI

            Editor in Chief of AntennaeProject

            34 essays and interviews

            featuring key contemporary artists and scholars

            329 pages

            202 illustrations

            MARIA LUX

            p 164 p 214 p 188 p 224

            p 214

            p 69

            p 72

            quotation

            Is there still a place for non-scientists in the trajectory

            of science? What is lost if science is so specialized, or technologies so inaccessible, that average people feel alienated from its development, curiosity, and conclusions?

            quotation two 7 biography

            MICHAEL McCLURE: MEAT THYSELF

            by Stefan Benz

            1 making nature

             

            The Togo-Cameroon hunting pavilion at the 1931 International Colonial Exposition in Paris encouraged cynegetic tourism in Africa, largely through the inclusion of three large habitat dioramas. MORE >>

             

            Making Nature was an exhibition held at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017. It explored how humans have constructed the

            notion of nature over time, a question that has captivated philosophers, anthropologists, scientists, ethicists and artists for centuries. Curator Honor Beddard talks to us about this

            pioneering exhibition.  MORE >>

             

            Making Nature

            Giovanni Aloi interviews Honor Beddard

             

            Biogeography,

            Autobiography, and

            Wildlife Protection

            By Maria P. Gindhart

            8 diorama

             

            In this essay, Giovanni Aloi focuses on an axpect of Donna Haraway’s ‘Teddy Bear Patriarchy’ argument that was overlooked by the author: the important role played by decorum in the normativizing function of museum taxidermy.  MORE >>

             

            Dioramas: Realism

            and Decorum

            By Giovanni Aloi

             

            This essay examines the object history of the Feejee Mermaid, a taxidermy creature created from the top half of a mummifi ed orangutan

            and the lower body and tail of a salmon, which defi es the category between nature and art.. MORE >>

             

            The Feejee Mermaid:

            An Object’s History

            By Regan Shrumm

            9 feejee

             

            For over a hundred years, habitat dioramas have been the soul of natural history museums around the world. Firmly built into the architectural fabric of the institution and astutely combining sculptural, painterly, and theatrical idioms, dioramas have been regularly

            understood as truth.  MORE >>

             

            Six philosophies for a habitatdiorama artist

            Text and Images by Aaron Delehanty

            2 six

             

            The current planetary environmental

            emergency urges us to ask afresh: How can we simultaneously be part of a long history of nature, and yet be so late in realising what has happened? The recent development in ecological discourses make exhibition Mark Dion: Systema Metropolis from 2007 ever so

            relevant.  MORE >>

             

            Mark Dion:

            Systema Metropolis

            By Bergit Arends, Images by Mark Dion

             

            Louis Pasteur’s published study of the French silkworm pandemic (1865-1870) helped visualise the invisible world. This essay examines how Pasteur mobilised new media

            to categorise and visualise the vast cultural ecology that had shaped France’s silkworm disease.  MORE >>

             

            Ordering the Invisible

            Images by Emily Eastgate Brink

            10 ordering 3 mark dion

             

            In a time of climate-change denial and suspicion of scientifi c expertise, where science’s place in American culture is especially contested, Magnify considers the role of amateur  naturalists historically and today.  MORE >>

             

            Magnify

            text and Images by Maria Lux

             

            Doug Young is one of only a few artists skilled in the labor-intensive technique of reverse painting on glass. These paintings address present- day concerns about the precarious state of the environment by taking natural

            history museums and their display aesthetics as their subject.  MORE >>

             

            Providence Under Glass

            By Tamsen Young, Images by Doug Young

            11 magnify 4 providence

             

            Since January 2019 Marc Beattie has captured the captured, snapping a subject daily and amassing a cache currently of over a third of the Avian Class that have ever visited Norfolk,

            and then never departed their uncanny dioramic setting. MORE >>

             

            The Bird Gallery

            images by Marc Beattie

            12 hookes 5 bird

             

            Robert Hooke’s

            Macrographia

            Text and Images: British Library

             

            Dr Mario A. Di Gregorio explores Haeckel’s unique idea of “monism” which lies behind the mesmerising illustrations of his most famous

            work, Kunstformen Der Natur. MORE >>

             

            Ernst Haeckel and

            the Unity of Culture

            By Mario A. Di Gregorio

            13 ernst

             

            Isabella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master

            still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE >>

             

            TAXA

            Text and Images Isabella Kirkland

            14 taxa 15 empire

             

            Simultaneously present and absent these shadowy animal traces connect with key environmental issues, such as habitat loss and the extinction of animal species. Lorraine Simms’s drawings are poetic meditations on change and loss - silent witnesses to the gradual disappearance of the wild. MORE >>

             

            EMPIRE of BONES

            Text by and Images Lorraine Simms

            p 188

            p 164

            p 224

            COVER 49 6 abbas

             

            Abbas Akhavan: Fatigues

            Giovanni Aloi Interviews Abbas Akhavan

            9a feejee

            p 125

             

            Isaella Kirkland’s work examines man’s relationship to the natural world through intricate oil paintings in the style of sixteenth and seventeenth century Dutch Master still life. Her life-size depictions of plants and animals are precisely rendered and anatomically accurate, the result of extensive research at natural history museums. MORE>>

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